On Process

 "I tend to work in a clumsy, hurried sort of way where it's just easier to throw things and words at each other until something takes shape and the shape has an effect as you're reading it. It's why I mostly wrote poems until my mid20s. Poems are very supportive of that. You can do a similar thing with stories, improvise characters and situations as you go along, but then the hard/fixed components of a story have to be worked out too and you can't use poetic license or some other excuse to get around that, you can't just improvise, you have to provide a certain amount of structure. I'm getting better at it." 

That's a pretty good answer to a pretty convoluted question. I almost want to print it out and keep a copy in my wallet. 

"I've been terrible and disorganized at writing for a significantly long duration of time. So I've had a chance to adjust to it." 

Being able to belch out disembodied voices doesn't seem to hurt either. 

"Except for being on drugs or cajoling your ishvara. At that point you have to take things seriously and you can hardly improvise anything at all. Schedules matter and don't let anybody tell you different." 

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